As of May 1, 2017 the Ray Johnson Estate is exclusively represented by Adler Beatty; Richard L. Feigen & Co. represented the Ray Johnson Estate since the artist's death in 1995 until April 30, 2017. The Estate includes an extensive archive of materials including, but not limited to, correspondence, mail art, collages, documentary photographs, objects, and memorabilia. The Estate encourages scholarship and is open to researchers by appointment. To contact the Estate, please email firstname.lastname@example.org.
Maria Ilario holds an MSLIS from Pratt Institute with a focus on archives in art institutions. Ilario is an art historian with a background specializing in gallery and museum work.Contact her for inquiries, research requests and appointments.
Johanna Gosse, Curatorial Research Fellow at the Ray Johnson Estate
Johanna Gosse is the inaugural Curatorial Research Fellow at The Ray Johnson Estate. Gosse is an art historian specializing in experimental film & media, and has worked with the Estate as a researcher for more than a decade. In 2015, she received an Arts Writers Grant from Creative Capital/The Andy Warhol Foundation for her current book project, which examines Johnson's work though the lens of network aesthetics. In 2015-17, Gosse was a Mellon Postdoctoral Fellow in the Department of Art History & Archaeology at Columbia University. You can read more about her research and recent publications at www.johannagosse.com.
Julie J. Thomson
Julie J. Thomson is an independent scholar and curator, and co-editor of the Journal of Black Mountain College Studies. She is editor of That Was the Answer: Interviews with Ray Johnson (Soberscove Press, 2018). In 2017 she curated the exhibition Begin to See: The Photographers of Black Mountain College at the Black Mountain College Museum + Arts Center. Julie's essays about Ray Johnson have been published in the Journal of Black Mountain College Studies and Black Mountain College Museum + Arts Center publications for the exhibitions From BMC to NYC: The Tutelary Years of Ray Johnson and Something Else Entirely: The Making of Ray Johnson’s 'Paper Snake'. You can read more about her research and writing at juliejthomson.blogspot.com
Editor of Frog Pond Splash: Collages by Ray Johnson with Texts by William S. Wilson (Siglio Press, 2020) and Not Nothing: Selected Writings by Ray Johnson 1954-1994 (Siglio Press, 2014). Elizabeth Zuba has translated or edited over ten books of artists’ writings, including several by Marcel Broodthaers — Pense-Bete (Granary Books), 10,000 Francs Reward (Printed Matter), While reading the Lorelei (for exhibition, MoMA), Marcel Broodthaers: My Ogre Book Shadow Theater Midnight (Siglio Press) with Maria Gilissen — as well as works by Nicolás Paris, Anouck Durand, and writings by Duchamp, Picabia, Satie, and other contributors to Dada magazine The Blind Man (Ugly Duckling Presse). Elizabeth is also the author of two books of poetry. She contributed the catalogue essay for Ray Johnson's Art World in 2014.
Ina Blom is a Professor at the Institute of Philosophy, Classics, History of Art and Ideas at the University of Oslo. Her fields of research and teaching are modernism/avant-garde studies and contemporary art and aesthetics, with a particular focus on media art practices and media aesthetics. She is head of the Seminar of Aesthetics, University of Oslo, and is currently directing the interdisciplinary NFR-funded research project The Archive in Motion. A former music critic and radio DJ, she has also worked extensively as an art critic and curator. She has been a senior curator at the National Museum of Contemporary Art in Oslo (2000), and the curator of the Fluxus/Intermedia Collection at the Henie Onstad Art Center in Oslo (1988-93), producing a number of exhibitions on art from the 1960’s onwards. She is a member of the international editorial board of Konsthistorisk Tidsskrift, London: Routledge, and contributes to Artforum, Parkett, Afterall and Texte zur Kunst. Her book publications include On the Style Site. Art, Sociality and Media Culture. New York: Sternberg Press, 2007 (2nd edition 2009), The Name of the Game. Ray Johnson's Postal Performance, Kunsthalle Fridericianum Kassel, Stedelijk Museum Sittard, 2003, Joseph Beuys, Oslo: Gyldendal, 2001 and The Cut Through Time. A Version of the Dada/Neo-Dada Repetition, Acta Humaniora, 1999.
Frédérique Joseph-Lowery holds a Ph. D. from Emory University. She is a regular contributor for Art Press magazine. An authority in Dalínian studies, she wrote several articles examining Dalí’s world in relation to Marcel Duchamp’s work. She is the author of a critical edition of the French manuscripts of La Vie secrète de Salvador Dalí (L’Age d’homme, 2006) with a foreword by Jack Spector. Contemporary Dance and performance was the subject of her book Dalí et Béjart: Danser “Gala” (ed.Notari, 2007) as well as of several exhibitions she curated in Europe and the United States: Dalí Dance and beyond (Salvador Dalí Museum, St Petersburg, FL , and Godwin-Ternbach Museum, Queens College CUNY, 2007) and Dalí et Béjart: danser “Gala”(Maison Bergevin, 2007). Joseph-Lowery was the guest editor of a special issue on Dalí (La Revue des Sciences humaines “Lire Dalí”) and she directed two international colloquium: Dalí. Sur les traces d’éros (Cerisy-La-Salle, 2007) and Dali Today (Godwin-Ternbach Museum, Queens College, CUNY and Catalan Center, New York University, 2010.
Clive Phillpot knew Ray Johnson from 1981 until his death in 1995, at the time he was Director of the Library at the Museum of Modern Art. They talked and corresponded intermittently from 1981, but regularly from 1988-1994. Phillpot published Ray Johnson On Flop Art: Fragments from Conversations... (London: Fermley Press, 2008).
Phillpot’s other essays have been published in Lightworks #22, 2000, New Observations #126, 2000, Art Monthly #239, 2000, Voids: a Retrospective (Zurich: JRP/Ringier, 2009), and several other publications.
Phillpot and Johnson co-edited Ray Johnson: Jean Dubuffet Fan Club (Nassau County Museum, 1988).
Clive Phillpot now lives in London, England.
"The Mailed Art of Ray Johnson." In More Works by Ray Johnson. Philadelphia, PA: Goldie Paley Gallery, Moore College of Art and Design, 1991.
Sophie is a PhD candidate at the Sorbonne University (Paris) under the direction of Prof. Philippe Dagen. She holds a Master's degree in finance (Sciences Po Paris, 2008) and a Master's degree in Art History (Sorbonne, 2009). Among other distinctions, she was a Terra Foundation predoctoral fellow at the Smithsonian American Art Museum in 2011.
Her dissertation, entitled L’économie au miroir de l’art, deals with artworks of the 1960s that address and question economics (including price, money, finance, and monetary exchange in general) with artistic means. In this framework, she studies the recurring motif of money in Ray Johnson’s work, in particular his dollar-bill collages in contrast to his correspondence art, seen as an alternative, non-monetary kind of circulating currency.
Kate Dempsey Martineau
Kate Dempsey Martineau, PhD is an independent scholar. Her dissertation titled Ray Johnson in Correspondence with Marcel Duchamp and Beyond focused on Johnson's relationship to the French artist. Her current work investigates Johnson and his milieu in New York during the 1950s-70s. Codes, counter cultures, gylphs, and language come up frequently. Kate has published essays in The Journal of Black Mountain College Studies and several exhibition catalogs including From BMC to NYC: The Tutelary Years of Ray Johnson and Inventing Marcel Duchamp: The Dynamics of Portraiture. In 2018 Dempsey published Ray Johnson: Selective Inheritance with University of California Press.
Miriam Kienle is an Assistant Professor of Art History and Visual Studies at the University of Kentucky, specializing in modern, contemporary, and American art. Her current book project, "Unworked Network: The Queer Connectivity of Ray Johnson's Correspondence Art" (under contract with University of Minnesota Press) analyzes Johnson’s role as an initiator of the international correspondence art movement through the lenses of network studies, queer theory, and histories of interpersonal communication. Her writings on Johnson and other artists have appeared in such publications as Oxford Art Journal, Archives of American Art Journal, Feminist Studies, Media-N, Panorama, Nierika, and Artl@s Bulletin, among others. Additionally, Kienle has curated an exhibition of Johnson's work at the Krannert Art Museum (Champaign, IL) and a survey of mail art entitled Pushing the Envelope the Smithsonian Archives of American Art’s Fleischman Gallery (Washington, DC). Her teaching and research have been supported by grants and fellowships from the American Council of Learned Societies (ACLS), Henry Luce Foundation, J. Paul Getty Foundation, Association of Historians of American Art (AHAA), Great Meadows Foundation, University of Kentucky’s Vice President for Research, and Illinois Program for Research in the Humanities (IPRH).
Gillian Pistell is a PhD Candidate in Art History at the Graduate Center, the City University of New York. She received her BA in History and Art History from Colgate University in 2008, and her MA from the Graduate Program in the History of Art from Williams College in 2010. She is currently a Research Assistant for the Modern and Contemporary Art Department of the Metropolitan Museum of Art. Pistell’s forthcoming dissertation will identify Ray Johnson as an “artist-archivist.”
Anatasia H. Rygle
Anastasia is an independent curator, editor, and writer based in New York City. Her research focuses on the New York avant-garde ca. 1950-1965 with particular emphasis on Andy Warhol and his milieu. Anastasia is the co-editor of two book length monographs: Billy Name: The Silver Age, photographs from Warhol’s Factory and Brigid Berlin: Polaroids published by Reel Art Press, London. She is currently curating two exhibitions: Andy Warhol Prints from the Collection of Jordan Schnitzer for the Portland Art Museum opening September 2016 and Brigid Berlin for Invisible Exports opening October 2015. Anastasia has worked for numerous institutions including The Andy Warhol Museum, The Carnegie Museum of Art, The Wurtembergischer Kunstverein, Stuttgart, and the Dia Foundation for the Arts as well as many single artist archives and private collections. At the Andy Warhol Museum, she assisted on the exhibitions Warhol Live! Music and Dance in Andy Warhol’s Work, Canis Major: Andy Warhol’s Cats and Dogs, and Recette Satire: Andy Warhol and Suzie Frankfurt. Additionally in 2007 she curated an exhibition of Ray Johnson’s work from Warhol’s personal archive. In 2012 she received her Master’s Degree from the Center for Curatorial Studies, Bard College where her written thesis, “Ray Johnson: The Dover Street Years, 1953-1960” was accompanied by an exhibition featuring nearly 70 works. In 2014, as Assistant Curator at the Queens Museum, she organized 13 Most Wanted: Andy Warhol and the 1964 New York World’s Fair.
Michael von Uchtrup
Michael is a freelance curator, archivist, and researcher, has worked since 1987 with artists and arts institutions in the US, Europe and Japan, contributing to the creation of magazine articles, books, television documentaries, and exhibitions; over a dozen colleges and museums have hosted his lectures. He began cataloguing archives of Ray Johnson's artworks and mail art in 1999, focusing on those of Ray's earliest friends, William S. Wilson in particular. An article on Ray's early years by v.Uchtrup - “I Plan To Send Startling Letters” - appeared in the Black Mountain College Journal in 2012. v.Uchtrup was awarded a fall 2012 residency grant by the Emily Harvey Foundation in Venice to begin work on a Ray Johnson biography. In 2015, he curated Something Else Entirely: The Making of Ray Johnson’s 'Paper Snake' at the Black Mountain College Museum + Arts Center, and guest edited an issue of the journal of Black Mountain College Studies celebrating the Paper Snake's 50th anniversary, with contributions by Barbara Moore, Clive Phillpot, Julie Thomson, Bill Wilson and others.
William S. "Bill" Wilson (1932 - 2016), born to artist May Wilson in Baltimore, was one of Johnson’s closest friends and his unwavering champion. He generously welcomed students and scholars to his Johnson archive and wrote essays that provided deep insight into Johnson, his era and his work. Always generous with sharing his profound knowledge, Bill returned questions posed to him from all over the world through ever inspired and voluminous emails, phone calls and letters. The Ray Johnson Estate is profoundly grateful for the many thrilling conceptions and inceptions, on Ray Johnson and in all of his art scholarship, with which Bill has left us.
Bill Wilson graduated with Honors in Philosophy of Science from the University of Virginia, then went on to Yale University where he received an M.A. and Ph.D. in English literature. He taught at Queens College, Columbia University, The Cooper Union, and the School of Visual Arts. Wilson also lectured on Eva Hesse at the Jeu de Paume, Tate Modern, the San Francisco Museum of Modern Art, and the College Art Association. His novel Birthplace: moving into nearness, was nominated for a Pen-Faulkner Award. He received an N.E.A. art-writer’s grant of $10,000.00, and a $40,000.00 Warhol Foundation Grant, 2012, for a book about the life and art of Ray Johnson. In addition to Ray Johnson, Bill published articles or essays in the following publications: American Book Review, Antaeus, Art & Artists, Art in America, Art Journal, Artforum, Artnews, Arts magazine, Artspace, On Paper, The Paris Review, Studio International and others on artists including: Mel Bochner, Paul Cezanne, Dan Flavin, Eva Hesse, Ralph Humphrey, Alison Knowles, Joseph Levi, Henri Matisse, Robert Morris, Claes Oldenburg, Nam June Paik, Pablo Picasso, Jackson Pollock, Robert Smithson, Paul Thek, Andy Warhol, John Willenbecher, and his mother May Wilson (1905-1986) – an artist whose work is still regularly exhibited. Bill also photographed the following artists, their studios, their performances and/or their exhibitions: John Cage, Christo & Jeanne Claude, Marcel Duchamp, Philip Glass, Alison Knowles, Roy Lichtenstein, Robert Morris, Nam June Paik and Charlotte Moorman, Joseph Raffael, Robert Rauschenberg, May Wilson and others.
The Ray Johnson Estate mourns the passing of William S. “Bill” Wilson, who died on February 1, 2016. We are profoundly grateful for the many thrilling conceptions and inceptions, on Ray Johnson and in all of his art scholarship, with which Bill has left us. The art world, this estate, and his many friends and family, have lost a cherished friend and mentor.
William S. Wilson on Ray Johnson, in chronological order... (also found in publication elsewhere on our site)
Ray Johnson: New York Correspondance School, Art and Artists, vol. 1, no.1 [April 1966]
Reference and Relation in "Send Letters, Postcards, Drawings and Objects - The New York Correspondence School", Art Journal, vol. XXXVI/3 [Spring 1977]
With Ray: The Art of Friendship from the publication Black Mountain College Dossier, no. 4: Ray Johnson
RUBBER STAMPS FINDING AID
Ray Johnson's Rubber Stamps
This collection contains Ray Johnson's rubber stamps, which he used in his prolific mail art practice from the late 1950s to his death in 1995. The stamps were found in a box in his home after his death. The collection includes 116 stamps, most of which have handles marked with commercial brands. Some of the stamps have no handles and bear the names of other mail artists. The bulk of the stamps are textual in nature, but there are some stamps with images only.
Of the stamps which have other mail artists' names, the most prominent name is Rocola, referring to Robert Rocola. There are also references to William "Picasso" Gaglione's Stamp Francisco. Of the stamps with commercial brands, Douglas and Front are the most prominent.
The impressions of these stamps may be seen throughout Johnson's mail art oeuvre and have inspired other mail artists to the present day.
Finding Aid for Ray Johnson's Rubber Stamps
SILHOUETTE FINDING AID
Ray Johnson drawings and silhouettes, 1976-1990
The collection contains drawings and silhouettes by Ray Johnson. All of the drawings are tracings of the subject’s left-facing profile. Many of Johnson's subjects were artists, authors, critics, collectors, curators, gallery owners and others connected to the New York art world of the late 1970s and 1980s. The collection dates from 1976-1990 and includes 294 drawings, 30 silhouettes and 3 xerographic copies.
Finding Aid for Ray Johnson's Silhouettes
RIMBAUD PROJECT FINDING AID
In the November 1971 issue of Arts Magazine, Johnson published a photocopied image of Arthur Rimbaud. The reverse side of the page had the instructions "Detach Along Dotted Line/Participate by adding words, letters, colors or whatever to face. All material submitted will be documented in a future issue/And mail to: Ray Johnson, 44 Seventh St., Locust Valley, N.Y. 11560." The responses poured in during December 1971 and even afterwards. In fact, some mail artists are still using the same Rimbaud template today in homage to Johnson.
The bulk of this box is made up of about 100 responses to the magazine prompt, in some cases with their original envelopes. The remainder of the box is a folder of responses from a similar project with an image of Paul Verlaine as well as miscellaneous correspondence, mail art, and envelopes. Most of the materials date to the end of 1971 or beginning of 1972.
Finding Aid for Ray Johnson and Rimbaud
PERSONAL LIBRARY FINDING AID
Ray Johnson's Personal Library
This collection contains a list of the books and periodicals that made up Ray Johnson's personal library. Johnson collected a variety of books and periodicals over his lifetime, a mix of fiction and nonfiction works, spanning a range of subjects including the arts, natural sciences, language, religion, biography and literature. The collection is organized by shelf number, listed in roman numeral format, however the entire collection is arranged alphabetically and is available to researchers on the shelves at the Ray Johnson Estate.
The wide range of subjects found in Johnson's personal library have been arranged into this finding aid for researchers to explore. It is our hope to provide insight into Johnson's artistic practices while also offering publications, which have become rare for closer inspection.
Finding Aid for Ray Johnson's Personal Library
This is a list of other archival collections related to Ray Johnson. Building this list is an ongoing process, so please contact us with any additions.
Archives of American Art, Smithsonian Institution
The Ray Johnson papers
Oral history interview with Ray Johnson
Ray Johnson is referenced in oral history interviews with these individuals:
Ruth Asawa and Albert Lanier
Richard L. Feigen
Ray Johnson materials can be found in the papers of these individuals:
Arthur Coleman Danto
Norman B. Colp
Marcel Duchamp (scrapbooks)
John Gruen and Jane Wilson
John Held (mail art materials)
Ellen Hulda Johnson
Lilian and Frederick Kiesler
Lucy R. Lippard
Dorothy C. Miller
Jack Mitchell (photographs of artists)
Lenore Seroka (photographs)
Leon Polk Smith
Robert Smithson and Nancy Holt
Ted and Joan Wilentz (Fluxus materials)
and the records of these institutions:
Betty Parsons Gallery
Eva Lee Gallery
Finch College Museum of Art, Contemporary Wing
Gertrude Kasle Gallery
Museum of Modern Art (MoMA) Library & Archives
New York, NY
Ray Johnson Artist Files: here and here; in the Franklin Furnace Archive: here and here; in the Steven Leiber Collection here.
Gilbert and Lila Silverman Fluxus Collection
Dorothy Miller Papers
John Held, Jr. Collection of Mail Art Periodicals
Flyers and booklets by Ray Johnson
Miscellaenous documents from John Margolies
David Bourdon Correspondence
Ray Johnson's Artist Books:
BOO K OF THE MO NTH
P EEK A BOO K OFTHE WEE K
A Book About Death
Book About Modern Art
A Book About Modern Art Nothing
A Book About Cranky Ant
Moderately Successful Pop Art
A Book About Unknown Art
This Typewriter Needs a New Ribbon
Ramsey Library at the University of North Carolina, Asheville
Black Mountain College Museum + Arts Center Collection
Los Angeles County Museum of Art (LACMA), Balch Art Research Library
Eleanor Antin 100 Boots feedback, 1970-1974
Getty Research Institute Special Collections
Ray Johnson materials can be found in the papers of these individuals:
Charles Henri Ford
Stanford University Manuscripts Division
Ruth Asawa Papers
University of California Santa Barbara
Pat Fish mail art collection
University of Southern California Libraries
ONE National Gay and Lesbian Archives
Los Angeles, CA
Orlando Gallery records
New York Public Library
Naomi Sims papers
Houghton Library, Harvard
New Directions Publishing Corp. records
National Gallery of Canada
Ottawa, Ontario, Canada
Art Metropole Collection
Ray Johnson mail art in the Art Metropole Collection
Long Island University, Post Campus
Joan Harrison Archive
Northwestern University Library Special Collections
Dick Higgins Archive
University of Iowa Libraries Special Collections & University Archives
Iowa City, IA
Alternative Traditions in the Contemporary Arts (ATCA) Collections
The ATCA Rubber Stamp Art Collection
The Crane/Friedman Correspondence Art Collection
The Buster Cleveland Papers
The Albert M. Fine Collection
The Ken Friedman Archive and Collection
The Dick Higgins Collection
The E.F. Higgins III Collection
The Lil Picard Papers
The William Gaglione Papers